Perfect What?

January 3, 2011

My daughter, Natasha, told me recently about a gifted young boy she knows who has learned to read at an early age and already plays the piano with astonishing originality. As if to offer a final and irrefutable proof of the boy’s extraordinary musical talent, Natasha added one more thing. “You know, he’s got perfect pitch”. My wife, Dorothea, who was passing by at that moment and only half-listening to our conversation, demanded to know whom we were calling a perfect bitch.

While being a perfect bitch may be a subjective matter, having perfect pitch is easily defined. Perfect pitch, or absolute pitch as it is sometimes called, is the ability to name or reproduce a tone without reference to an external standard. All my life I have heard people speak in awed tones about musicians who have perfect pitch. But just how remarkable is it? After all, every one of us is capable of recognizing the individual voices of literally dozens of our friends and acquaintances on the telephone solely based on variations in pitch and sound quality.

I have perfect pitch. I either was born with it or acquired it when I began studying the violin at age six. At first, my father tuned my violin for me with a pitch pipe. He sounded the A, matched the open A string’s tone with it, and then tuned the other three strings, G, D, and E, by ear. I do not know whether dad had perfect pitch, but he certainly possessed good enough relative pitch to be able to discern perfect fifths, the intervals of the violins strings. At some point, I realized I could hear the A in my inner ear before I played it on the violin, thereby putting dad out of work. Once my parents realized that I had perfect pitch, they broadcast the news about their genius son around the neighborhood. I too was rather impressed with my gift at first and couldn’t resist showing off to friends by telling them that the beep-beep from the car horn they had just heard was an A and C above middle C, or that the back up sound of the garbage truck an E flat, and on and on. In music school, however, I began to realize that I was not that special after all. Many of my musician friends also had perfect pitch. Furthermore, absolute pitch is quite common among speakers of tonal languages such as Chinese or Vietnamese, which depend heavily on pitch variation across single words for meaning.

What good is perfect pitch for any of us who have it? True, if I am sight-reading a difficult contemporary score, for example, it is useful to be able to pick a note far removed in pitch from others out of thin air, but I feel rather guilty about it. My music teachers always emphasized the importance of what my father had—good relative pitch. Far better, they emphasized, for me to sense the relationship between a note and the one preceding it, to immediately hear the actual interval and quality of sound it makes whether, say, the grating tension of a minor second, the pleasing friendliness of a major third or major sixth, or the unsettling oddness of a major ninth—and then play accordingly.

Cursed or blessed, we perfect pitchers must live with this peculiar ability embedded in us, but often with unintended consequences. I once performed as soloist in a Bach Brandenburg Concerto with my violin and all other instruments tuned to the lower pitch of Bach’s time. Whatever note I played came out wrong according to my sense of perfect pitch. I found myself making uncharacteristic mistakes right and left. It took me hours to cast this so-called tone memory gift aside and rely with eventual success solely on relative pitch.

That’s at least a story with a happy ending. A cellist friend of mine with perfect pitch, Daniel Saidenberg, once bought a new car with a tape player that was a quarter tone off. Everything from Beethoven to the Beatles played ever so slightly flat. That relatively minimal pitch alteration slowly began to drive Danny crazy. Eventually, he tried to return the car but with no luck. The sales people thought they were dealing with a nut case.

The pianist Harold Bauer in his memoir, “His Book”, tells of hearing native Hawaiians play and sing their ancient songs but always in the same key. Bauer, who had perfect pitch, asked them to repeat one of the songs he had just heard, singing it purposely back to them at another pitch from the one they had used. The Hawaiians looked blank and said they did not know that song. Bauer insisted that they had sung it and repeated it again and again, each time starting on a different note. They disclaimed ever having heard it. Finally, Bauer sang it at the pitch they had used. Their faces brightened. Yes, that is our song, they said; and sang it to Bauer again. Pitch, according to Bauer, was to these people, the music itself.

My favorite perfect pitch story was told to me by a friend, the pianist Lincoln Mayorga. Lincoln went to Europe on a concert tour and woke up in the middle of the first night away from home jet lagged, and with not the faintest idea where he was. He had, however, one clue going for him—the hum of a refrigerator nearby in his hotel room. Appliances operate on 60 cycles in the Unites States and 50 cycles in Europe. A 60 Hz tone is between an A sharp and B two octaves below middle C, a 50 Hz tone is between a G and G sharp two octaves below middle C, something Lincoln was well aware of. Lincoln lay awake in his bed in the dark listening with his perfect pitch to the refrigerator’s hum and knew instantly that he was in Europe.

I’ve noticed that my sense of perfect pitch is beginning to waver occasionally with age. No longer can I pinpoint instantly and with absolute certainty that the winsome far-away sound of a train is a chord comprised of D, F, and B flat above middle C. Perhaps the chord is a half tone lower or higher. I’m just not sure. Several of my perfect pitch pals who are getting on in years have noticed the same thing. I’m not worried though. So what if the beep-beep of a car horn or the warning sound of a garbage truck backing up remains nameless. As long as I can retain my sense of relative pitch, I’ll be all right. But what if my relative pitch also begins to go? Now that would be a perfect bitch.

Perfect Pitch Tablets from Tone Deaf Comics

PerfectPitch Tablets by Tone Deaf Comics

Comments

  1. From Lee Rosner on January 3, 2011

    Hi Arnold,

    Thanks for another interesting piece.

    It may interest you to know how perfect pitch has been used in biology. I heard a lecture in the ’60s from the then head of a major technology firm who was also an amateur ornithologist. His engineers built an ultra-high speed motion camera for him so that he could photograph & count the number of wing beats of a hovering hummingbird. He then told us that a simpler method was used by an Italian biologist with perfect pitch: he listened to the sound of a locust in flight & could immediately tell from its pitch what was the frequency of the wingbeats.

    All the best,

    Lee Rosner

  2. From Laurie S. on January 3, 2011

    I once accused a fellow Von Trapp child in our community production of The Sound of Music that she had called someone a bitch, when she in fact was complaining that they sang off-pitch. She was about 16, I was only 8, but I reduced her to tears after an hour of fruitless arguing and my stubborn insistence that she had made a swear.

    I still feel bad about that.

  3. From Meredith Platt on January 4, 2011

    I heard once of a Park Avenue Pitch. If so, how would it sound?

  4. From Rochelle Walton on January 9, 2011

    Dear Mr. Steinhardt,

    We thought your “Perfect What?” essay was perfect. So did a number of my students (some with and some without perfect pitch).

    But we look forward to and enjoy reading all your essays. So, please, keep ’em coming!

    Thank you.

    Rochelle Walton

  5. From Uri Wassertzug on January 18, 2011

    Hello Mr. Steinhardt,
    I always had issues with colleagues who tried to use their perfect pitch in quartet rehearsals. They would try to impose their idea of a “perfect” G-sharp, but of course as you know, a G-sharp is different depending on what role it’s playing at the time: a 3rd in an E chord, a tonic in a G# chord, or a leading tone in a melody.

    Well, many years later I have heard from two different people that had perfect pitch and relied heavily on it, rather than learning their intervals. To their dismay, in their middle age, suddenly their pitch slipped a few steps! An A now sounds like an F, a C like an A-flat. And, since they had leaned on the perfect pitch, they now have trouble playing or even listening to music that they know, because it seems all wrong to them.

    So I am glad to reinforce your advice to musicians not to rely on “perfect” pitch.

  6. From Marvin Palatt on January 26, 2011

    I have worked on and off for years for a conductor with perfect pitch. Believe me, Arnold, any connection between great musicianship and perfect pitch is truly a coincidence in your case.

  7. From Linda on April 3, 2011

    Regarding perfect pitch, Arnold, in the second grade of elementary school I received straight A’s on my report card except for a C in music. Since I was rather precocious as a musician, my horrified Jewish mother who considered an A- unacceptable, confronted my unfortunate teacher and discovered that the pitch pipe that she used to tune the students for singing was off by a whole step. I had thought that being literal was commensurate with honesty, and had stood my ground.

    And, alas, in recent years if the radio is soft and D and I are lulling ourselves to serenity and sombulance, I have to leave the room since the cacophony created by an aging auditory system is distorted enough to elicit giggles.

  8. From Sig Rosen on May 10, 2011

    We really appreciate that our Friday night sightsinging group conductor Marge Naughton has this gift, but its often hell when we/she have to transpose.

    Also had noted with friends, and as was explained clinically by Oliver Sacks {Musicophilia} that absolute pitch is statistically correlated with poor vision. He welcomes contacts from those concerned.

    Is this something others find?

  9. From Terry Byrd on October 4, 2011

    Making a paying career using perfect pitch
    certainly seems a perfect bitch
    When listening to the sounds
    &
    Their relations
    Is your true
    Vocation

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March 6, 2018

Claude

How well can you really know a musician as a person based solely on his or her performance? You might walk away from such an occasion with some sense of the musician’s intelligence, emotional depth, taste and style. But could you honestly say, despite the innermost thoughts and feelings communicated during the concert, that you [...]

February 1, 2018

What’s In a Name

My mother, who attended one of our Guarneri String Quartet concerts some time ago, told me afterwards of a conversation she overheard in the ladies room during intermission. “Are any of the Guarneri members Jewish?” one woman asked another. “No,” responded her friend. “Arnold Steinhardt is of German origin, John Dalley, English, Michael Tree, Scottish, [...]
Mel Torme

December 24, 2017

The Christmas Song

Christmas seems to come earlier and earlier. Already before Thanksgiving had arrived this year, the holiday lights were strung and the usual Yuletide songs had invaded every conceivable public space. Perhaps because I’m a musician, a shudder runs through me when I once again have to hear after a blissful year’s absence, the inane Winter [...]

December 4, 2017

Luggage

A fellow goes up to the airline counter and asks to be booked to Buenos Aires, Caracas, Singapore, and then Honolulu. “I’m sorry, sir,” the agent says, “We don’t fly to any of those places.” “Funny,” responds the traveler, “you sent my luggage to all those places the last time I flew with you.” For [...]

October 31, 2017

Halloween Special

Hello People. Dr. Arnie here, once again. Today is Halloween, and a perfect time for me to spread the word about my latest, favorite subject—Cryogenics. You all know what I’m talking about: the study of things at very low temperatures. Actually, it’s not exactly things that I had in mind. Recently, I read about the [...]
Andrew Carnegie

October 4, 2017

Andrew Carnegie

How do you get to Carnegie Hall? I know. I know. Practice. Or take the subway. Or hail a cab. Or if the year is 1891, take the trolley from 14th Street, the center of town, to the end of the line and walk two blocks north to 57th Street and 7th Avenue. You’ll find [...]
Jules Eskin

September 6, 2017

Jules

My dear friend Jules Eskin passed away last November at the age of eighty-five. I first met Jules when he became principal cellist of the Cleveland Orchestra in 1961. I had already been in the orchestra as assistant concertmaster for two years. At twenty-two years old, I was the youngest member of the orchestra, and [...]

August 8, 2017

Cécile Chaminade

Today, August 8th, is Cécile Chaminade’s birthday. What? You’ve never heard of Cécile Chaminade? But how is that possible? Chaminade was one of the most successful pianists and composers of the turn of the nineteenth/twentieth century. Born in Paris, France, in 1857, Chaminade composed more than 350 works, including two piano trios, a choral symphony, [...]
Uncle Sacha vants you.

July 7, 2017

The Bartók Project

When I was still a teenager, a friend coaxed me into a record store with the sole purpose of having me listen to something he considered of utmost importance. In those days, every record on sale had a sample that one could hear in a private booth. My friend refused to divulge anything as he [...]

June 2, 2017

I Love You

Over the past few years, I’ve begun to depend more and more on my smart phone. At first it was just for telephoning, emails, and for taking photos. But more recently, I’ve begun using it for all kinds of useful things: weather reports, the news, messages, driving directions, as a metronome, playing scrabble, and even [...]
Floating violinist surrounded by floating people.

May 3, 2017

Ultimate Goals

Violin auditions were once again held this winter at the Curtis Institute of Music. Over a period of three days, the faculty listened to violinists from all over the world play the required music by Bach, Mozart, Paganini, and a concerto of their choice. Many of these young musicians performed with great sensitivity and technical [...]

April 1, 2017

Four Play

A message from Dr. Arnie about string quartets: Dear Friends, I know, I know. String quartets are a troublesome business. Take Franz Schubert’s Death and the Maiden Quartet in which a poor young girl has to die despite desperately pleading for her life. Just terrible if you ask me, and by the way, my condolences [...]

March 6, 2017

Speak, Piano

Many years ago, my wife, Dorothea, and I visited her friend, Gottliebe von Lehndorff, in Peterskirchen, a town not far from Munich, Germany. A single, shattering event had originally brought the two women’s lives together. Both Dorothea’s father, Hans Bernd von Haeften, and Gottliebe’s husband, Heinrich von Lehndorff, had been involved in the failed July [...]

February 2, 2017

Separation Anxiety

Several months ago, Soovin Kim, the artistic director of the Lake Champlain Chamber Music Festival, asked me to participate in the Beethoven Project, a series of concerts each featuring a late Beethoven string quartet and preceded by a talk about the work.  Soovin had invited the Parker String Quartet to perform one of those five [...]

December 24, 2016

Santa Claus

I recently learned some unexpected things about Santa Claus. First of all, he played the violin. That shouldn’t have been a surprise. Lots of famous people have played the violin. Albert Einstein, Casanova, Paul Klee, Thomas Jefferson, and Benito Mussolini all played the violin, so why not Santa Claus. I also learned that Santa didn’t [...]
John Koutroubas at the counter.

December 7, 2016

Little Pete’s

They say that nothing lasts forever. But some things do last longer than others. And once in a while, something manages to last a very long time. I’m thinking of Little Pete’s diner on the corner of 17th and Chancellor Streets in downtown Philadelphia. I first discovered the place in the fall of 1954 when, [...]

November 8, 2016

Music From Marlboro, the Fiftieth Anniversary

If anyone were to ask me what the single most significant musical influence of my life was, the answer would be unequivocal: The Marlboro Music School. In the many summers I spent there as a young adult, I was able to study, perform, and listen to the great chamber music repertoire shoulder to shoulder with [...]

October 5, 2016

Succession

Just a few years ago, at two different schools, I coached students who had banded together in the hope of becoming professional string quartets. Each quartet consisted of strong players and gifted musicians, and they not only played well together but, most importantly, each quartet had something personal and meaningful to express in their music-making [...]

September 9, 2016

A Visitor

As in so many years past, I was once again a participant at Marlboro Music this summer. Marlboro has achieved a reputation of such stellar quality that music lovers from the earth’s four corners flock to this festival nestled in the hills of Southern Vermont. Even luminaries known the world over occasionally appear at Marlboro [...]
Fred Astaire and Ginger Rogers

August 3, 2016

Where are the Dancers?

A friend, who was a professional ballet dancer for many years, was taken as a child by his mother to a symphony orchestra concert. Up to then, his musical experience had been largely limited to the piano accompaniment provided during his dance classes and the ballet performances he occasionally attended. He sat patiently for a [...]
Scott Peacock

July 6, 2016

The Chocolate Cake (A Second Helping)

I very much enjoy writing my monthly blogs, which are more or less on the subject of music. And I’m always gratified and encouraged to continue by the many reader comments. An unexpected and delightful surprise—a fringe benefit, you might say—are the stories that come back to me in response. For example, when I wrote [...]

June 3, 2016

The Chocolate Cake

My wife, Dorothea: So, how was the concert tour?” Her husband, Arnold: “Great. After the concert in Rome, I had a plate of gnocchi with Gorgonzola sauce that was to die from. And in Vienna, you wouldn’t believe how sensational the Salzburger Nockerl was.” Dorothea: “I’m glad. But what about the concerts? How did they [...]

May 4, 2016

The Homecoming

Kirk Browning, an American television director and producer with hundreds of productions to his credit had decided to move into smaller quarters. Our mutual friend, Virginia, was there to assist as Kirk regretfully disposed of many of the awards, trophies, and memorabilia that he had amassed over a lifetime of professional work. At one point, [...]

April 1, 2016

Dr. Arnie Returns

By overwhelming popular demand, the distinguished musicologist Dr. Arnie has once again agreed to answer your most pressing questions about music, musicians, and maybe even the meaning of life:   Dear Dr. Arnie, Do you have to speak French to play the French horn well? Dear Concerned, Of course not. How do these preposterous rumors [...]

March 3, 2016

Tessa

Our dog, Tessa, died in the middle of a blizzard in New York City this January. Almost twelve years old and certainly slowing down with age, Tessa no longer frolicked joyfully in the park as she once had, and lately climbing steps of any kind had become painfully difficult for her. Still, her death was [...]
Final curtain

February 4, 2016

Lulu

No one ever dies in chamber music. The thought occurred to me while I was on the way to the opera. People die right and left in opera. Madame Butterfly, Tosca, Carmen, Romeo and Juliet—they all die. I’ve played in a professional string quartet most of my life, but nobody dies there. Yes, there are [...]

January 7, 2016

A Heavenly Length

Franz Schubert’s sublime Two Cello Quintet in C major is probably on every chamber music lover’s short list of most beloved works. Certainly, it is on mine. Recently, I had the memorable experience of hearing the Quintet performed glowingly not once but twice within hardly more than a week. The first performance, by the Dover [...]

December 4, 2015

String Quartet Fever

Here’s a riddle that made the rounds a few years ago: What is one Russian? An anarchist. What are two Russians? A chess game. What are three Russians? A revolution. What are four Russians? The Budapest String Quartet. If the first three parts of this playful riddle attributed to the violinist Jascha Heifetz are open [...]

November 1, 2015

More Than a Music Festival

Late last summer, I traveled to Poland for a chamber music festival that took place in a small town called Krzizowa, or Kreisau as it was known as part of Germany until the Second World War ended. Knowing beforehand something of its background and the people involved, I eagerly looked forward to the festival. It [...]

October 2, 2015

Mozart’s Baby

There is an often repeated and certainly justified belief that only a truly experienced professional string quartet can do justice to the masterpieces of the quartet repertoire. After all, its four members would have had the time to know each other’s musical personality intimately; to learn how to work well together; to spend the many [...]
Floating violinist surrounded by floating people.

September 4, 2015

Goals

Last March, the Curtis Institute of Music violin faculty, of which I am a member, listened to over one hundred violinists from all over the world audition to become students at the school.  There were only two or three openings for the next school year and many of the young violinists played remarkably well, which [...]

August 1, 2015

Competition

Will Hagen, an impressively gifted young violinist, has just won third prize in the 2015 Queen Elisabeth Competition for classical violinists. Named after Queen Elisabeth of Belgium and established in memory of her good friend concert violinist Eugene Ysaÿe, the Queen Elisabeth Competition is considered one of the most challenging and prestigious in the world. [...]

July 1, 2015

Speak, Living Room

A few months ago, just after finishing a recording project, Lorraine Feather, jazz singer, and lyricist, and Dave Grusin, pianist and composer, went out to dinner with Dave’s wife, Nan Newton. Nan, who had never met Lorraine before, soon learned that the singer had spent the earliest years of her childhood on Manhattan’s Upper West [...]

June 1, 2015

The World of the String Quartet

Last year, the Curtis Institute of Music, where I was once a student and where I now teach, asked me to participate in an internet course about the string quartet. Curtis, partnering with the online educational platform Coursera, has already had impressive success with two previous online courses: a survey of classical music co-hosted by [...]

May 1, 2015

Bob Simon

Bob Simon and I unknowingly walked off with each other’s nearly identical coats several months ago. Once the error was discovered, we met days later in my apartment for the great coat exchange and had a good laugh about the situation. That done, Bob and I sat down at my dining room table and talked [...]

April 1, 2015

Arnie’s Fables

Aesop’s Fables are known throughout the world. Aesop is said to have been a Phrygian slave who lived in ancient Greece and whose fables have endured because of the great wisdom embedded in them. Legend has it that Aesop’s life ended when he either jumped or was thrown from a cliff. Sadly, another set of [...]

March 1, 2015

John Cage and His String Quartet in Four Parts

John Cage once said, “I have nothing to say, and I’m saying it.” I burst out laughing when I first read this. Just imagine Ludwig van Beethoven announcing to the world, “I have nothing to say,” in which case he might have put down his pen and paper and taken a walk in the woods, [...]

February 3, 2015

Memory

I have never studied or performed Bach’s Sonata in C Minor for Violin and Keyboard, but I thought it would make a lovely opening number for a planned recital this spring. So in the next few days, I began by reading the first movement through, making some preliminary phrasing decisions and then figuring out possible [...]

January 1, 2015

A Tale of Two Coats

It’s January. It’s cold out there. It’s time for a coat story. Friends of ours recently invited my wife, Dorothea, and me to dinner at their New York City apartment. We hung our coats along with many others on one of several racks in the lobby, and after a lovely evening of fine food and [...]

December 1, 2014

Fifteen Seconds of Fame

The American poet, Galway Kinnell, died last October. I had the pleasure of knowing him and seeing him occasionally during the years he lived in New York City. One evening, Galway and his wife to be, Barbara, invited me and several other friends to dinner. Introductions were made all around and a superb meal along [...]

November 1, 2014

Moonlighting

November is hunting season in upstate New York where my wife, Dorothea, and I have a home. And if it’s hunting season, then it’s time for our hunters to show up. Several decades ago, three men—let’s call them Andrew, Bob, and Charlie—knocked on our door and politely introduced themselves. They told us that they worked [...]

October 1, 2014

The Silent Note

Do you remember the phrase in that old Coca Cola commercial, “The pause that refreshes?” It did nothing for me at the time because I don’t even like the drink. Still, the commercial initiated something quite unintended. Rather than coaxing me to go around the corner and buy a bottle of Coke, the single word [...]

September 1, 2014

Talent

Ninety-seven young violinists showed up at the Curtis Institute of Music’s annual violin auditions last spring with the hopes of becoming students at the school next fall. Thirteen made the semifinal round and of those, five were chosen by us, the violin faculty. Some who auditioned were still diamonds in the rough. Others already played [...]

August 1, 2014

Violin-less

It’s that time of year again.  I’ve worked hard for it, I deserve it, and nothing’s going to stop me from it.  Yes, I’m packing up my violin and bow, putting them in the closet, and then I’m not going to practice for a while. Just for a few days. Well, maybe a week. Mmm, [...]

June 2, 2014

Kissing Cousins?

Story #1 My old Ford Mustang convertible needed a paint job several years ago so I took it to the local body shop in upstate New York where I live. Once all the details had been discussed with the shop owner (let’s call him Norm), I remembered something that had always bothered me. The first [...]

May 1, 2014

In the Ear of the Beholder

“Here’s a challenge for you,” a friend posed over dinner some time ago.  “Name the four great child prodigy classical music composers.”  He leaned back, smiling smugly in the knowledge that I probably wouldn’t be able to guess them all.  Two were obvious: “Wolfgang Amadeus Mozart, of course, and Felix Mendelssohn,” I blurted out.  My [...]

April 1, 2014

News Bulletin

In The Key of Strawberry is pleased to post “Dear Dr. Arnie,” the syndicated musician’s advice column hosted by the legendary Dr. Arnie. Examples of his advice, featured below, will undoubtedly be of invaluable help to musicians of every persuasion. Dear Dr. Arnie, I have an orchestra audition coming up next month and worrying about [...]

February 24, 2014

Objects

Last summer I was once again a participant in the Marlboro Music Festival.  As always, the school generously provided my wife, Dorothea, and me with a house off campus.    This time we were given the former home of David Soyer, the cellist of our Guarneri String Quartet for thirty-seven of its forty-five-year existence.   Dave passed [...]

February 1, 2014

Violin Collection

I own three violins. I have a Lorenzo Storioni made in Cremona, Italy around 1785.  This violin’s sound is dark and husky.  Its varnish is lustrous, and the swirling patterns of its wood grain are remarkably beautiful. I also have a violin made for me in 2006 by Samuel Zygmuntowicz, a distinguished American string instrument [...]

January 1, 2014

Me and my Violin

Marc Lifschey, one of the greatest oboists of his era, once told me that after retiring as a performer and teacher, he had sold his oboe. On the face of it, giving up an instrument you no longer use seems perfectly reasonable, but nevertheless I was taken aback.  Marc was not merely an excellent oboist; he [...]

December 1, 2013

But the Melody Lingers On

About to walk across New York City’s Central Park on a sunny winter day, I suddenly heard the strains of Santa Claus is Coming to Town wafting out of a nearby workman’s truck radio.  What a silly melody, I thought to myself absentmindedly.  Twenty minutes later, I had crossed the park but to my consternation, [...]

November 1, 2013

And What Then?

I have a hard time getting my brain around abstractions.  So when I read with alarm about the latest debt limit crisis in the United States Congress and the possibility that Uncle Sam might actually close our government’s doors, I tried to imagine the situation in terms of my own profession—music—and, even more specifically, in [...]

October 1, 2013

Calling Planet Earth

Dear Key of Strawberry, Allow me to introduce myself.  My name is Brzjk and I live on planet Ulfz located many light years from you.  We have been aware for some time that life exists on your planet—I believe you call it Earth.  Nevertheless, we Ulfzians have been reluctant to make contact with you.  Quite [...]

September 1, 2013

Discovery

One year into a 23-month mission, NASA‘s Mars rover Curiosity has assured its place in the history of planetary exploration as the most ambitious and one of the most successful attempts to date to explore the surface of another planet. Curiosity’s data allowed the mission’s science team to establish that Mars once had an environment [...]
Tom Heimberg

August 1, 2013

Tom

I met Tom Heimberg during junior high school recess when we were both twelve years old. The popular sport during recess was something we unofficially called Chinese handball—a game played with a rubber ball against an upright surface. Tom and I became quite professional at discussing topspin, slices, drop shots, and fake outs, but as [...]

July 8, 2013

Drunk as a Skunk

I know of no one among all my musician friends and colleagues who will drink anything alcoholic before performing. Even those who enjoy an occasional glass of wine, beer, or an enticing margarita are very, very careful to imbibe only after rather than before a concert. Simply put, it’s hard enough to play well while [...]

June 1, 2013

Fees

We were enjoying an after-concert snack at the hotel restaurant when David Soyer, our cellist in the Guarneri String Quartet, took a sip of his beer, leaned back expansively, and announced in a mock Eastern European accent, “I rub stick against rope.  Make many zlotys.” No, we weren’t somewhere in Poland where people deal in [...]

May 1, 2013

Suzy

Little Suzy was in the midst of working on a piece with her piano teacher when she suddenly stopped playing, crossed out Johann Sebastian Bach’s name at the top of the page, and wrote her own name above it. “Why did you do that, Suzy?” her surprised teacher asked. “He’s not playing the piece. I [...]
Thou Shalt Not Steal

April 1, 2013

A Bible Story

I once stole a bible. It was wrong, I shouldn’t have done it, and part of me would like to forget that it ever happened. But this day, April Fools’ Day, seems as good a time as any to tell the story of my shameful deed. The theft took place when I was a young [...]

March 4, 2013

Gibbsy

Rudolf Kolisch’s name came up while I was at the Marlboro Music Festival this summer. The distinguished violinist had been a Marlboro participant late in life. Along with his other remarkable accomplishments, Kolisch was the rare violinist who played the instrument “left-handed.” Because of a childhood injury to the middle finger of his left hand, [...]

February 2, 2013

Fritz Kreisler

“Did you ever get to perform the Fritz Kreisler String Quartet?”  I’ve been asked this question again and again over the years, undoubtedly in response to a scene in “High Fidelity,” the 1987 documentary about our Guarneri String Quartet. In that scene, I bring the Kreisler String Quartet in A Minor, a work I dearly [...]

December 28, 2012

The Interview

Giving interviews is something musicians have to do surprisingly often—we usually do them to stir up a little interest and sell a few tickets to our concerts. On one occasion last summer my radio interviewer had done his homework well. He knew a great deal about me, and the music I was going to perform [...]

November 22, 2012

An Open Letter to Sammy Rhodes

You think quitting smoking is hard? Try quitting a string quartet. My four-step program might help violist Samuel Rhodes, who just announced his retirement from the Juilliard String Quartet at the end of the season. The following is my letter to him. Dear Sammy, I read the news of your retirement from the Juilliard String [...]
cJQuZXoyc5U

September 7, 2012

A Night to Remember

Have you ever heard a performance that you will never forget no matter how long you live? I have. And have you ever gone out on a blind date with someone who is known to thousands, perhaps even millions of people—just about everyone except you? I have. Not only that, but both events happened on [...]
Arnold Giving Colbourn Commencement Speech

May 7, 2012

Colburn School Commencement Address

By Arnold Steinhardt Good morning. I’m honored to be speaking to you at this 2012 Colburn School commencement and equally honored to teach at the school. I was born and raised in Los Angeles and it pleases me immensely to know that Colburn, with its faculty of distinguished musicians, is now the pride of the [...]
The Steinhardt String Quartet, Press Poster

April 1, 2012

The Steinhardt String Quartet

Hartz-4-Artz your internet culture source April 1, 2012 From the Music Desk: Arnold Steinhardt To Form New String Quartet Arnold Steinhardt, first violinist of the Guarneri String Quartet that retired in 2009, has announced plans to form a new string quartet. Mr. Steinhardt recently told Hartz-4-Artz reporter N. Nam Trebor that he deeply misses the [...]
Arnold Steinhardt Sixth Grade Class Photo

March 1, 2012

Teach Me!

What makes a good teacher? For that matter, what makes a bad one? Some teachers merely pass on information. Others excite a student’s interest through their own love for the subject. Some teachers employ fear and intimidation. A very few manage to teach you how to become your own teacher. The craft (or is it [...]
Jascha Heifetz

February 2, 2012

Jascha

Mr. Jascha Heifetz (born 1901, died 1987) Violin Virtuoso Section Heaven February 2, 2012 Dear Mr. Heifetz, Today, February 2nd, is your birthday. Happy birthday, sir, and my deepest thanks for the miracle of your artistry. I have listened to you play the violin throughout my entire life—actually my entire life plus nine months to [...]
The Arnold Steinhardt Metronome

January 5, 2012

You’re On Your Own

My daughter, Natasha, once came home from her weekly piano lesson and asked to use my metronome—a request from her teacher. I told Natasha that I didn’t own a metronome. At the next lesson, her teacher insisted I go out and buy one. The clerk at my local music store looked at me oddly as [...]
Meryl Streep as Roberta Guaspari

December 4, 2011

Uh-Oh

I began to study the violin with a series of teachers who taught music and the instrument, but who as time went by also saw fit to teach me the elusive craft of performance. Toscha Seidel, an early teacher, challenged me to break out of my shell and show the music’s emotional character. My next [...]
Rock Concert T-shirt

November 1, 2011

Listen

I had just settled down with my ice cream cone in front of Ralph’s Pretty Good Café when a garbage truck rumbled to a stop directly in front of me. To my consternation, the driver got out with the motor still running and noisily began to empty garbage cans into the truck. No, I said [...]
Manuscript of Beethoven's Grosse Fuge

October 3, 2011

Opus 130

Not long before I graduated from the Curtis Institute of Music in 1959, John Dalley, a fellow violin student, asked me whether I’d like to work on Beethoven’s late String Quartet in B Flat, Opus 130. The Paganini String Quartet had recently performed at the school, ending their program with another late Beethoven Quartet, Opus [...]
Arnold Steinhardt's Violin Case

September 9, 2011

My Violin Case

What’s a violin case for? Well, a violin for one. And bows to go along with it, of course. What else? Extra strings, rosin, and a mute. Also, a tuning fork and chin rest fastener. Oh, I almost forgot—music stored in the case cover pouch. That’s about it, right? Wrong. At least, forgive the pun, [...]
Rudolf Serkin, pianist, and Arnold Steinhardt, violinist, 1980

August 2, 2011

Marlboro at Sixty

The following article appeared in a booklet, “60th Anniversary Reflections on Marlboro Music”, that celebrated the event with a weekend gathering at Marlboro on July 9 and 10 of hundreds of participants past and present from all corners of the globe. In August, 1957, Jaime Laredo and I, two young violinists hoping for a career [...]
Stage F-F-Fright

July 1, 2011

Stage F-F-Fright

I must have been only seven or eight years old when I first performed in public. My teacher, Mr. Moldrem, had me play two melodies, one from the Beethoven Violin Concerto and the other from Brahms First Symphony. Moldrem, well known for his ability to teach youngsters, presented his students regularly in concerts. Before the [...]
Del Gesu Beare, Scrolls

June 6, 2011

An Old Friend

Sam, a widower in the autumn of his life, lost thirty pounds, had a face lift, dyed his hair, took elocution lessons, bought a smart new wardrobe, withdrew all the money from his bank, and flew to Miami for a brand new life. Soon after, Sam met a lovely woman at his hotel’s casino and [...]
Practice, Practice

May 3, 2011

Practice, Practice

After the Second World War, my parents were able to rent out a room attached to the back of our garage due to a severe housing shortage. The rumpus room, as they called it, was sparsely furnished, but that was enough for a succession of people to perch there for the time they needed to [...]
The Duo

April 1, 2011

The Duo

After forty-five years making music together, the Guarneri String Quartet played its very last concert on October 27, 2009. People often ask me whether I miss playing quartets. Of course I do. I miss not only the concerts, but also the camaraderie, the rehearsals, the traveling, the exotic food, and the interesting people along the [...]

March 1, 2011

A Meditation on the Meditation

In the ancient Egyptian city of Alexandria, the courtesan, Thaïs, reflects on her past life of worldly pleasure. Looking into the mirror, she worries that her beauty will soon fade. The monk, Athanaël, arrives at her palace, admonishing Thaïs that there is one kind of love she does not yet know. He exhorts her to [...]
Forty Year Story

February 3, 2011

Forty Year Story

In the spring of 1970, Judith Serkin, a cello student at the Curtis Institute of Music, told me that she and four other students at school, cellist Peter Wiley, violist Geraldine Lamboley, and violinists Lucy Chapman and Jill Levy, hoped to study Schubert’s Two Cello Quintet during the next semester. Judith asked whether I would [...]
Perfect Pitch Tablets from Tone Deaf Comics

January 3, 2011

Perfect What?

My daughter, Natasha, told me recently about a gifted young boy she knows who has learned to read at an early age and already plays the piano with astonishing originality. As if to offer a final and irrefutable proof of the boy’s extraordinary musical talent, Natasha added one more thing. “You know, he’s got perfect [...]
David Soyer

December 6, 2010

Dave

David Soyer, cellist and founding member of the Guarneri String Quartet, passed away on February 24, 2010—one day after his 86th birthday. Michael Tree, violist, and John Dalley and I, violinists, the other founding members, played in the quartet with Dave for almost forty years and we knew him for close to fifty. Peter Wiley, [...]
Paganini's Birthday

October 27, 2010

Paganini’s Birthday

Today, October 27th, is Niccolo Paganini’s birthday. Below is a reprint of an article I wrote on this occasion which appeared in the October issue of The Strad magazine. Next, as an attachment, is Caprice #24.25, my arrangement of Paganini’s 24th Caprice. Finally, I include a letter that to my great astonishment Paganini just wrote [...]
Photo from Opus

October 4, 2010

Opus

I saw Opus a while ago, a play by Michael Hollinger that deals with the inner workings of a string quartet. Since I have been a violinist in the Guarneri String Quartet for many decades, you can imagine that I awaited the opening curtain with some anticipation. The subject of my profession is not exactly [...]
Hermes/Mercury, God of Travel

September 6, 2010

Psssst

I hear a lot of griping from my friends these days about travel. Trains are much more luxurious and dependable in Europe. Japanese taxi drivers wear white gloves and decorate their cars with curtains while in New York City, taxis are, well, let’s not even talk about it. And the deluxe plane travel of years [...]

August 2, 2010

In a Sentimental Mood

I recently heard an all-Stravinsky concert performed by the New York Philharmonic Orchestra. A few days later, a review of the evening by Anthony Tommasini appeared in the April 23, 2010 edition of the New York Times. A comment he made about the orchestra’s rendition of The Firebird Suite caught my eye: “The Firebird’s Lullaby, [...]
Dinner Music

July 1, 2010

Dinner Music

Uncharacteristically early for an appointment, I slowed my pace up Manhattan’s Lexington Avenue. Better early than late, I thought, but what on earth was I to do with myself for the next 30 minutes. As I approached 86th St., the answer appeared almost by magic in the form of Papaya King, a hot dog stand [...]
Disney Hall

June 2, 2010

Something New, Something Old

I happened to be performing in Los Angeles just as the city’s new and glittering Disney Hall opened several years ago. A week earlier, I called my mother who was living in Southern California to tell her of my arrival. “Oh, wonderful,” she said. “You can take me to Disney Hall.” That was fine with [...]
Joe Vita

May 4, 2010

Joe Vita

I left the Mason Gross School of the Arts at Rutgers University last year after having taught a graduate violin class there for over two decades. Among other things, I miss the lively conversations I often had with colleagues at student recitals, oral exams, juries, or over a pizza at the local Italian restaurant. Topic [...]
Twelve Note Story

April 23, 2010

Twelve Note Story

Take a deep breath and try to settle down. I know, I know. The task is daunting, but you’ve worked hard. Just be relaxed. Be focused. And now get practical. For starters, think of a good tempo. Not so easy based on the first two or three notes that are slow and deeply personal. Better [...]
News Alert

March 30, 2010

News Alert

The United States Bureau of Weights and Measures has just announced at a national news conference that chamber music may cause global warming. The issue first came to the bureau’s attention when directors of several distinguished music conservatories notified it of alarming and unexplained rises in temperature at odd times of the school day. Government [...]
Sophisticated Traveler

February 28, 2010

Sophisticated Traveler

I planned to take the 2 PM Eastern Airlines shuttle from New York City. That would have gotten me into Boston by three with plenty of time to grab a bite, take a taxi to Jordan Hall, change, practice some, and relax a bit before the Guarneri String Quartet concert at 8 PM. But an [...]
Grammy Award

January 18, 2010

Grammy Awards

The Guarneri String Quartet was nominated for a Grammy Award in the category of Best Chamber Music Performance this year for our Hungarian Album on RCA Red Seal. The CD consists of Ern? Dohnányi’s Quartets Nos. 2 and 3, and Zoltán Kodály’s Quartet No. 2, three works of striking beauty. The Grammy Awards (originally called [...]
Shall We Dance?

January 4, 2010

Shall We Dance?

Many years ago, I had occasion to play a Bach Partita for the pianist and scholar, Arthur Loesser. When I finished, Loesser asked me whether I knew how to dance the partita’s five movements. I vaguely knew that the movements were based on old dance forms, but I had assumed that the dance steps themselves [...]
Looking for Work

December 1, 2009

Looking for Work

The Guarneri String Quartet retired, yet Arnold Steinhardt continues to perform in public. Photo by Dorothea von Haeften. Violinist in Recently Retired String Quartet Looking for Work * Skills Proficient in chamber music. Works best with people willing to overlook occasional lapses in intonation, phrasing, and tone. Performs virtuoso solo works, but no higher than [...]
Birth Pains

November 4, 2009

Birth Pains

Mozart’s String Quartet, K. 421 in D Minor, occupies a special place in the hearts of the Guarneri String Quartet. It was the very first music we read through after deciding to form as a group. Why that work? Hard to remember after all these years, but I would guess that its emotion charged and [...]
The Guarneri Quartet

October 6, 2009

For the Very Last Time

On June 12, 2007, the Guarneri String Quartet sent out the following announcement: Dear Friends, We, the Guarneri String Quartet, have decided to retire at the end of the 2008-9 season, our forty-fifth year before the public. This has not only been a long journey, but a deeply satisfying one as well. What could be [...]
Gray's Papaya

September 1, 2009

Gray’s Papaya

“We’ll drive you home,” said Frank Salomon, an old friend and long-time presenter of the Peoples’ Symphony Concerts at Washington Irving High School. The Guarneri String Quartet had just finished a performance there, the last ever on the series before our retirement. Moments later, Frank behind the wheel, his wife Martha, my wife Dorothea, and [...]
Second Concert

August 3, 2009

Second Concert

The following is a slightly extended version of Second Concert, that appeared in the June publication of the new magazine Listen: Life with Classical Music. Our string quartet played a concert at Emory University in March of this year. Whenever I’m in Atlanta, I stay with my friends, Murphy Davis and Ed Loring, ministers who [...]
Arthur Rubinstein

July 7, 2009

Really

A member of the audience, somebody I’d seen backstage more than once before, came up to me recently after a concert I had just played. He smiled broadly, shook my hand enthusiastically, and said, “Great concert… really.” In the midst of thanking him, that last word, “really,” finally registered. Really? Excuse me sir, but what [...]
Life, Death, Music

June 13, 2009

Life, Death, Music

Last summer, Emily Hsiao, a teenager whom I’d never met, e-mailed me. She asked whether the Guarneri Quartet would have time to listen to music students in her high school when we played in Ann Arbor, Michigan that winter. Only hours after my visit to the school, a brutal attack on one of those students [...]
Almost on the Riviera

May 11, 2009

Almost on the Riviera

Did you always believe what your parents told you when you were young? I certainly did. I may not have always had the good sense to obey them or heed their advice but their wisdom was unquestionable. Take education, for example. My parents believed mightily in the importance of formal knowledge and therefore the need [...]
The Abode

April 1, 2009

The Abode

Alter Bock, a dedicated amateur string quartet player, has just announced plans for the creation of a home for retired chamber musicians. “I’m concerned that these wonderful musicians I’ve heard and admired most of my life have a nice place to spend their golden years.” He spoke to me from the music room in his [...]
Yehudi Menuhin

March 5, 2009

Genie in a Bottle

I ran into the violinist, Jennifer Koh, not long ago. Jenny is a highly gifted young musician who happens to have a keen interest in string players of old. At some point, our conversation turned to Yehudi Menuhin, one of the great violinists of the twentieth century. We talked about Menuhin’s instantly recognizable style, the [...]
A Brush with Fame

February 8, 2009

The Brush With Fame

Ah, Los Angeles! So-called city of angels, a place where the sun shines almost always, where palm trees flourish, a place that knows no winter-in short the city where I was born and raised. But in my adolescence, Los Angeles was much more than a hedonist’s playground. Thanks to the movie industry, the balmy weather, [...]
New Years Thoughts

January 1, 2009

New Year’s Thoughts

A drawing in the New Yorker magazine several years ago depicted a tawdry back alley with a few empty cans and bottles strewn about. The caption above read: Life without Mozart. Its message apparently affected many of us. I saw the drawing on peoples’ desks, walls, and refrigerator doors for years afterward. As a member [...]
The Swan

December 1, 2008

The Swan

When I was eleven years old, my violin teacher assigned me The Swan by Camille Saint-Saëns. I had no idea that The Swan was a famous cello solo or that it was part of a much larger work, The Carnival of the Animals. I had never even heard of its composer, Saint-Saëns, or seen his [...]
Mr. Oliver

November 10, 2008

Mr. Oliver

I enrolled in a music appreciation class when I was a high school student. Near the beginning of the semester, the teacher of the class took ill and a substitute, Mr. Oliver, replaced him. Mr. Oliver knew his subject well. He played us everything on the school record player from Schubert’s Unfinished Symphony to Peruvian [...]
Tooth Talk

October 8, 2008

Tooth Talk

I was having my teeth cleaned by the dental hygienist the other day when she offhandedly asked whether my children were also in the music industry. Fortunately, with my mouth wide open and filled with dental gear, I was only capable of answering with a few rather inarticulate and muffled noises. Otherwise, I might have [...]
What Good is Music

September 11, 2008

What Good is Music?

[Originally written and published in September 2002]. I lost no loved ones on 11 September 2001, nor was my home destroyed or my work affected in any palpable way by the tragic attack on our nation; and yet, the events of that morning have prodded me to look inward and take personal inventory. As a [...]
A Tale of Three Violinists

August 10, 2008

A Tale of Three Violinists

I stood in the artist’s dressing room, warming up nervously before my sole rehearsal with the Detroit Symphony Orchestra. For a twenty-two-year-old violinist just starting a career, performing Mendelssohn’s Violin Concerto with this distinguished group of musicians was an important engagement. My palms were sweating, my heart beat rapidly, and I began to pace back [...]
Last Words to a Son

July 11, 2008

Last Words to a Son

Andrea, the head nurse at the assisted living home where my mother has lived for many years, called last month to tell me that mother had stopped eating, that she was drifting in and out of consciousness, and that she was failing rapidly. The next day, my son Alexej and I flew to Southern California [...]
A Dog's Tale

June 12, 2008

A Dog’s Tale

I’m a wonderful teacher. I know, you don’t have to tell me. It’s not nice to brag. But truth above all, I always say. Here. Let me show you why I’m so good. We have a dog named Tessa. As far as I can tell, Tessa doesn’t have much feeling for music one way or [...]
Remembering Izzy

May 10, 2008

Remembering Izzy

Photo by Allen Cohen Every one of us has to die. We know that. We also know that sooner or later all of us will be forgotten. Even Einstein. Even Beethoven. Nevertheless, we humans doggedly strive for meaning in our lives and harbor the secret (or not so secret) wish to accomplish something of sufficient [...]
A Noteworthy Day

March 2, 2008

A Noteworthy Day

I heard a great deal of music yesterday. Let me rephrase that. Yesterday, I heard a multitude of sounds—some longer, some shorter, higher or lower, louder or softer—as I made my way through my waking hours. The sounds appeared sometimes as individual tones and sometimes in groups of two and three. They often repeated themselves [...]
Solo Bow

February 2, 2008

Solo Bow

The Guarneri String Quartet played a concert in Wisconsin several years ago. Why do I remember that this particular concert was in Wisconsin? Probably because Wisconsin is a cheese-making state and a delicious selection of cheese was set out at the after-concert party. It’s funny what details remain vibrant in one’s mind, especially in light [...]
In the Key of Strawberry

January 1, 2008

In the Key of Strawberry

An unexpected thought interrupted the sentence I was reading in the morning newspaper, followed by several other thoughts in quick succession. I had just remembered last night’s dream: My wife, Dorothea, and I were riding on a bus in a foreign country. Through the window we espied an open-air flea market with an array of [...]
Hiroshi Iizuka

December 1, 2007

Cousin Sam

“How much time you giving me today, maestro?” This was more or less the way Sam began most of our phone conversations. Sam Schloss was my cousin, more specifically: my mother’s mother’s sister’s son. I would usually call him during a break in one of the open rehearsals the Guarneri String Quartet held during its [...]